Destacamos
...self Carlos Ferrater 06: when the precise material doesn’t exist | cuando no existe el material preciso...
6th extract | sexto extracto Carlos Ferrater and Félix Arranz in conversation. 2003, september. In the heart of Barcelona’s Ensanche, on Calle Balmes where it almost intersects with Diagonal, the street hums with the humid Mediterranean heat of June and the noise of the speeding traffic that rounds off a Friday afternoon. For all that, noise and heat have remained outdoors. Good insulation. The conversation takes place at the far end of the studio, at a small round table beside a patio with white reflections and bamboo. A competition probably came to an end the day before and that’s why the studio seems strange without all the hullabaloo and frenzy suggested by the notice boards. At midday and the weekend they’ll all be there. As usual. ...
Leer más...self Carlos Ferrater 05: the Stradivarius violin case | el estuche de un Stradivarius...
5th extract | quinto extracto Carlos Ferrater and Félix Arranz in conversation. 2003, september. In the heart of Barcelona’s Ensanche, on Calle Balmes where it almost intersects with Diagonal, the street hums with the humid Mediterranean heat of June and the noise of the speeding traffic that rounds off a Friday afternoon. For all that, noise and heat have remained outdoors. Good insulation. The conversation takes place at the far end of the studio, at a small round table beside a patio with white reflections and bamboo. A competition probably came to an end the day before and that’s why the studio seems strange without all the hullabaloo and frenzy suggested by the notice boards. At midday and the weekend they’ll all be there. As usual. ...
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...sobre Rafael Moneo: Ferran Figuerola
(Español) sobre los modos de extender la materialidad del artesano cuando el interlocutor es la industria
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...self Carlos Ferrater 04: a professional structure | una estructura profesional...
4th extract | cuarto extracto Carlos Ferrater and Félix Arranz in conversation. 2003, september. In the heart of Barcelona’s Ensanche, on Calle Balmes where it almost intersects with Diagonal, the street hums with the humid Mediterranean...
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...self Carlos Ferrater 03: projects on a small scale | proyectos en pequeña escala...
3rd extract | tercer extracto Carlos Ferrater and Félix Arranz in conversation. 2003, september. In the heart of Barcelona’s Ensanche, on Calle Balmes where it almost intersects with Diagonal, the street hums with the humid Mediterranean...
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...about Oriol Bohigas: Josep Ferrando
(Español) Una comparativa entre varios proyectos de MBM arquitectos: Manzana Pallars, Fábrica Piher, Hotel en Puerto Vallarta y Escola Municipal de Vela de Barcelona; en base a cuestiones de escala, materialidad y luz
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...self Carlos Ferrater 02: one teacher I didn’t have | un profesor que no he tenido...
2nd extract | segundo extracto Carlos Ferrater and Félix Arranz in conversation. 2003, september. In the heart of Barcelona’s Ensanche, on Calle Balmes where it almost intersects with Diagonal, the street hums with the humid Mediterranean...
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...self Carlos Ferrater 01: the highest thing you could aspire to | la máxima aspiración...
1st extract | primer extracto Carlos Ferrater and Félix Arranz in conversation. 2003, september. In the heart of Barcelona’s Ensanche, on Calle Balmes where it almost intersects with Diagonal, the street hums with the humid Mediterranean...
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...about Josep Ferrando: Ignasi y Josep Cusidó [LAMP]
(English & Español & Català) natural light highlights textures | la luz natural subraya texturas | la llum natural subratlla textures
Leer más![...about Josep Ferrando: Ignasi y Josep Cusidó [LAMP]](http://static.scalae.net.s3.amazonaws.com/photos/41388/LAMP-LOGO_medium.jpeg)
